Sunday, January 20, 2008

"ELAN VITAL" - The Philosophy of Henri Bergson

Ever since the 1859 publishing of Charles Darwin's "On the Origin of Species by Means of Natural Selection," scholars, theologians, philosophers, and other intellectuals friendly to faith in God (or some sort of "Prime Mover") have been at odds to articulate a "middle ground"; a rapprochement between faith (and the deductive reasoning that supports it) and materialism (the idea that the matter we observe every day is all there is to the Universe; there is no "room" for belief in a God, etc.). It should be noted, as I have stated in other essays, that Charles Darwin himself was a Seminary student (Church of England) and son of a clergyman. His exhaustive research of biology led him, however, to some "inconvenient truths," which he wrestled with mightily over the course of his life. The story is very well known to those of us who are students of human thought.



Darwin, in his outstanding work (if you haven't read it, you need to), admittedly had no answer to the two overarching questions of existence: 1.) the origin of matter (why is there "something" rather than "nothing"?) and 2.) the origin of consciousness (why should a human reason, think, and be self-aware? Where does this come from and why do we have these faculties?). But his theories of natural selection, "change through time" of species (acted upon by exogenous events, most often, in a random way), and survival of the fittest are really beyond doubt. Of course, his was a more "gradualist" view (much easier for the Church to reconcile with biblical revelation), as opposed to the predominant view of our era, which is that of "punctuated equilibrium." (Gradualism being an illusion, and exogenous - or environmental - shocks providing the catalysts for evolution in - and this is critically important to understand - a completely random way.)



Henri Bergson, French philosopher and writer during the turn of the 20th century era (he lived from 1859-1941), was one of the major figures whose thinking and writing attempted to span the bridge between reason and faith; revealed science and what he termed "dynamic" religion (an advanced religious expression epitomized by mysticism, or those more advanced along the spiritual path in his view; in short: evolution and creation). Bergson's work is very thoughtful and insightful, and his leitmotiv is his expression of the elan vital; literally the "vital force," or "life force," or ""vital impulse" which is the substance of consciousness and nature. His magnum opus - "The Two Sources of Morality and Religion" - has served as a reflective soundboard for some of my thinking on this subject, and was written near the end of his life as a culmination of his work and thought. (The book was first published in France in 1932; released in English in 1935; and very representative of the thought of the time.)



The truth is, for both sides, there are significant "inconvenient truths." The pure, or as I call them "hard core" (or "orthodox") evolutionists absolutely cannot answer the two questions I stated above: 1.) what is the origin of matter? (it cannot come about of itself; there is no cause/effect relationship, etc., no Creator or "shaper" of the matter) and 2.) what is the origin of consciousness? (that beings can think, reason, fly airplanes and spaceships, compute the launch and orbit of satellites and spacecraft, compose Mahler symphonies, etc.!). The inconvenient truths for Bible believing Christians are the proven Darwinian tenets of natural selection; the inherent cruelty of nature and the animal kingdom (the killing of the young in several species in favor of the "strongest"e.g.; not to mention impact events, such as comets, asteroids, etc. that have monumental catastrophic damage to life) - basically, survival of the fittest. (Not to mention the demonstrable adaptive "changes through time" affecting all species.)



It should be mentioned that for thinking Christians, these have long since ceased to be ontological "problems." In fact, I don't think of them as "problems" for a tenable faith at all. They are observable, repeatable, testable facts. One must not think of the Bible and revealed scripture as a "science textbook," or biology or astronomy textbook. When one is liberated from that, an enormous, heavy burden of ontological problems is lifted. (So sorry for you if you are still carrying those, as I once did.) Moreover, the Bible should also not be looked upon as a "play by play" prophecy road map (in a very deterministic fashion) that "predicts" all present and future events to the letter; a foretelling of the "end of the world" as we know it. But that, perhaps, is an essay for another day.



Bergson's work still stands. He very cleverly articulated good reasons why the "life force" is the most significant thing about existence on this planet (in the Universe at large, I should add). Why should there be consciousness? Why are human beings (and other species) social in nature? We form into groups, we develop economies (actually the Greek is informative here, as "oikonomia" denotes actually a "household," the first "economic unit" of early humans), we unite around shared goals, we develop myths about gods doing this and that, we sacrifice things of value to appease these gods (the origin of animal sacrifice, plants and monetary sacrifices, etc.), we appoint priests and various holy men and women, we develop orders for them to enroll in and "be separate" from the hoi polloi, and pretty soon (think back to the Greeks and Romans), we have a pantheon of multiple gods who behave - not surprisingly - pretty much like us! Of course, the rest of the story is the move toward monotheism, of which we in the Judeo-Christian tradition are the inheritors.



Bergson simplified all of this into an identifiable evolution from "closed societies" (such as various tribal groups and theocracies) into "open societies" (such as our present day open and diverse democracies). For Bergson, evolution had a purpose; it culminated into two large groups of creation: hymenoptera(social insects, such as bees, ants, et.al.) and vertebrates (such as humans) who could think and had self-awareness; and intelligence. Evolution, for Bergson, was all about "Creative Evolution" then. It seemed to be following a "plan" or purpose which nurtured - over great lengths of time and creative "process" - the formulating of intelligence for survival purposes but ultimately for myriad creativity, which was reflective of its designer (the Creator). Bergson, in a sense, was a member of the "Intelligent Design" camp (as am I) before it was "cool" (to borrow a song title from country singer Barbara Mandrell). In fact, Bergsonian thought ("creative evolution") is very much an "ally" with the modern "intelligent design" camp and the stream of its thought feeds directly into it like a river.



Of course, communities of humans need to establish laws and moral codes; hence, the evolution of priests and lawyers to interpret and administer these codes, developed over tens of thousands of years living in community with other humans (and early primates). Moreover, as Bergson emphasizes, humans are self-aware and able to contemplate their own death, something that most other species cannot do (they operate by instinct alone - the hymenoptera, e.g.). We then set about the task of "making sense" of this - why should we die, what happens to us afterward (if anything), is there meaning to life then?, etc. Hence, the origin, in Bergson's view, of religion, manifested in human experience first by "static religion" (characterized by rigid, closed communities and thought, and rank superstition); and its more highly-evolved version (over the past three millennia - in both east and west), termed by Bergson "dynamic religion." And for Bergson, the most highly advanced practitioners of this dynamic religion were/are the "mystics" (whether east or west, Bergson was universalist and ecumenical), whose pursuit of ultimate truth led them to "open up to the divine" and experience the love of God (a big theme in Bergson's work) in a very personal way; therefore radiating that love of God out to fellow human beings.



His is a view then of a patient Creator, with limitless creative power and love towards his creatures (as God himself is social and wishes for community with his creatures) which is the apex of his work. Really, this sums up the experience of Christianity, which evolved from the (arguably) "static," rigid, and closed community of its day (Pharasaic Judaism) into "the Way" (as it was known in the first century - cf. the Book of Acts), or as it was later called (first at Antioch, later in the first century, according to Acts) "Christianity." Christianity is by nature diverse (cf. the Pentecost episode of the Holy Spirit's falling on the community of believers in Acts 2), accepting (open to both "Jew and Gentile" in Paul's expression), evangelical, and "creative." It has helped to ameliorate innumerable social wrongs (still does) and injustices, and has helped to civilize otherwise war-like cultures (cf. the conversion of the Viking societies, among many others), help establish the rule of law, democracy, individual dignity for people ( and hence the importance of life), Capitalism (sometimes with a "socialistic conscience") and on and on...





In a sense then, and in Bergson's words, natural evolution has been a creative God's way of "creating creators," who through religion have helped advance human consciousness towards a more magnanimous and just society; beings who are (ideally) destined to "love and be loved," which is the highest expression of human life. Bergson's view, then, is one of optimism; an optimism that human beings can ultimately rise above ignorance, hate, prejudice, and the closed societies and "static," superstitious religions that he felt was their source.

Moreover, Bergson posits democratic governments as the modern telos (or goal) of human political evolution; the modern "big bangs" of which were the American and French Revolutions. These fostered the movement toward more fair and truly representative governments, as opposed to the ancient Greek democracies, which he believed were "untrue" and tainted by slavery. (Obviously, both of the modern revolutions had to deal with this subject head on, and the seeds of liberation for both slaves and women were planted in the American Revolution; it was something that the Founding Fathers grappled with from the beginning.)
In this type of government, "we the people" are consequently "sovereign." Bergson, much like Teilhard de Chardin (whose thought is somewhat similar and is another exponent of "creative evolution"), found hope in the founding of the League of Nations; an institution he surely hoped could help ameliorate the human tendency toward catastrophic wars (he was deeply impacted by WWI, as were all Europeans).

In Bergson's own words: "democracy is evangelical in essence and its motive power is love." (from his "Final Remarks" section) For him, God exists; He is creative in nature, He wished to commune with his creation through creative beings, and He is the source of the motive power of all life - love - and this love is radiated through the created Universe and then radiated back and out again through His intelligent beings. Thus, in his own words: " joy and optimism are diffused throughout the world by an ever-spreading mystic intuition." Do human beings truly want to "live" and have that "abundant life"? It is in their own hands, since they have free will. He closes his work with an astonishing statement, that the Universe's "essential function is as a machine for the making of gods." (cf. Psalm 82:6!) Properly understood in the context of Bergson's thought, this expression is best understood as a culmination of the "life/vital force," the elan vital blooming within a Universe of otherwise lifeless matter and expressing itself in creativity and love; hence, a Universe evolving creatively, and one which we need not fear...

TTC

Wednesday, January 02, 2008

ACROSS THE UNIVERSE

Like many, I brought in the 2008 New Year with family, enjoying some time to talk, dine on good food, catch some college football Bowl games, and the like. (How typically American!) I also caught a very good movie that had been on my list - "Across the Universe." As is typical of my Blog, this essay serves as my own philosophical reaction to the film.

The film uses the music of the Beatles to recount much of the socio-political milieu of the 1960s, during which the Beatles caught a great deal of the Zeitgeist with their timeless music. Speaking of timeless, I was happy to see many young people in the theater - I think great music lives forever, and part of the proof of that is when younger people "discover" the music from decades and eras past. This is obvious with the Beatles experience, as the music has an ongoing appeal to listeners of all ages the world over. Very encouraging to me...

As I watched this fine work unfold, I kept thinking of the musical film "Godspell," a film from another era (the '70s), which portrayed the Jesus story in a contemporary, big city (New York) setting; very avant garde in its conception and performance. It took me a while to hook into what Godspell was doing (I was squirming at first when I saw it), but the film grew on me and I ended up liking it. Ditto for "Across the Universe." It was very much akin to a "Beatles/1960s" sort of Godspell, with contemporary young actors portraying characters from a fictionalized (yet very accurate in portrayal) 1960s urban setting (bohemian Greenwich Village in NYC), singing many of the great Beatles tunes as the film plotline devoloped, but singing them in new arrangements; often very clever and unique remakes. None of the original Beatles performances was used; the film employed all brand new remakes sung from the point of view of the various actors.

There is a take-off on the Janis Joplin/Jimi Hendrix experience; a de facto "arts colony" apartment in the Village, the portrayal of the SDS (Students for a Democratic Society) and the anti-war experience of the era, and allusions to many concepts contemporary with the age. Moreover, there was a modern interpolation; namely, a "Forrest Gump" scenario between the leader of the SDS, a young English artist (enjoying his "freedom" in NYC), and a young, idealistic American woman he befriends. This was a brilliant scene...

Appearances from artists such as Joe Cocker, Bono (as a psychedelic "Dr. Robert" singing "I Am the Walrus"), and other cameos made for interesting twists to the film, all very well done.

The film gave me impetus to think and write about a few political and philosophical concepts - of course my stock in trade here at TTC. I've always been struck by the ambiguities and ironies of life. Namely, have you ever noticed that some of your more "liberal" friends harbor "conservative" opinions on some issues? Conversely, have you noticed how some of your "conservative" friends secretly hold to some more "liberal" ideas?! (I would put myself in the latter camp.) I don't think life should be monolithic one way or the other; in fact, one of the more important lessons of history is just that: a society of narrow, one-dimensional thought and expression is not desirable and has never worked. Would you really want to surround yourself with people who are exactly like you? Who think exactly like you, and hold all the same opinions? It seems to me that these monolithic type societies have already been tried - from "Utopian societies" to repressive, one party governmental structures (communism, Nazism, Fascism, Monarchies, for example). Everyone was supposed to be on the same bandwagon, the same philosophical "wave length," so to speak.

Over the years, I'm learning to rest with what I perceive to be an undeniable fact: counter intuitive as it may seem to us in our private moments (when we are just "sick of everybody"; etc.!) - we need diversity of opinion, philosophy, and political persuasions. They serve as "checks and balances" to further a society along in a healthy fashion. If the pendulum swings too far one way or the other, an undesirable result is achieved - those who initially value concepts like "liberalism," "tolerance," and the like become some of the most fascistic and intolerant people you could be sorry to meet, and the opposite is true as well, which would tend to religious extremism and philosophical intolerance; not to mention a drab, uninteresting, and dead culture artistically, etc. (Once again the Aristotelian Golden Mean triumphs!) The center is where a society "holds"; the vices at both extremes are highly undesirable (no matter how seductive their appeal might be to some) and tend to destroy the life of a culture.

I kept thinking about this all through the excellent film "Across the Universe." The 1960s gave us some great, great music and bands, and some of the "sentiments" live on. Actually, many of them were contemporary expressions of old philosophical issues and problems. For instance, though I love the song and sentiment of the Beatles' "All You Need is Love," I actually think it is a dangerous illusion to actually believe it! It takes a lot more to manage a successful society, household, community, church, love relationship - you fill in more blanks. Love is nourishing, no question. But as every utopian experiment proved vividly (1960s love and peace hippie communes, "get togethers," Jesus hippies, and other various "experiments" as well), even if they got off to a decent start, it wasn't long before good, old-fashioned selfishness, "sin," and even evil (e.g., the drug culture of the '60s) crept into the mix and ruined it. These things, as I believe - these tendencies - are part of the inevitable warp and woof of our reality and human experience. Whence evil..? (Hint: keep reading my Blog...)

If you love the music of the Beatles and still enjoy reading about or seeing portrayals of the "swingin' and "revolutionary" '60s, check out this film; it's excellent. Were we on to something back then? Or was it just a re-hashing of old, worn out stuff; utopian communities and philosophies, "free love" and expression, "liberal" politics, peace and love and all that good stuff?

I am skeptical about any large scale "movement" to change society through "programs," student "revolutions," secular "love and peace" philosophies, etc. I believe long term, real change can only come about through uniquely personal changes of heart; a radical, divine intercession; a re-making of the heart by God in a willing, truly seeking person. But that's a story for another blog...

All of these ideas have relevance as the US looks to another national election season. We must take the time to critically examine the philosophical underpinnings of the various candidates and attempt to make the best choice. (Remember one of Ayn Rand's favorite sayings: "good premises" - as in, check your premises!) I think Americans long for better choices in this regard; it seems we still suffer from a woeful dearth of good leadership candidates. I would ask: what is the real difference these days between the Democrats and Republicans? One is a "tax and spend," wealth re-distributionist party, the other is a "borrow and spend," "What Me Worry?" party. (The latter allusion is to Mad Magazine's Alfred E. Neumann character, for those of you who are not sufficiently enlighted.) I am one of the millions of Americans wishing we had better, more intelligent and more astute choices; notwithstanding a viable third party that made sense. Fortunately, the Libertarian voice is one that is getting louder, and while I am not personally sure that I would want a totally Libertarian President (I am an eclectic, remember), I do wish their collective voice would continue to grow and serve as a "check" on the monolithic power wielded by either Party today.

Once again, it seems the choice will boil down to "which candidate/party will do the least harm to our Republic." And that is a sad state of affairs...

Oh well, for an afternoon it was fun to be immersed in the great music of the Beatles through this film, presented in an enjoyable and Godspell-esque way. "Across the Universe" has always been among my favorite songs; a John Lennon masterpiece, one in which his Muse allowed him to go to the most sublime heights as a musician and composer. Is "love" all we need? I'll close with one of the most poignant lyrics from master Lennon and his great song:

Limitless, undying love that shines around me, like a million suns, it calls me on along - Across the Universe...

TTC

(Nothin's gonna change my world...)